Book Review—Collected Fictions by Jorge Luis Borges

Like a book hidden away in the shelves, Borges is more legend than reading; mentions of his name or work receives either vague recollections or an outright “huh?” This is in part due to his output being short stories in an era when the form is viewed as the lessor of creative fiction (ironic in a time of microwavable meals, sound bite news, and Twitter posts), but another is Borges’ unique approach to the form, fully accepting that its strength is its inherent formlessness.

He worked with standard literary styles, like the detective story or the fantasy tale, but infused these with unusual modes, never undermining, but always expanding beyond the surface. Take for example his version of the fantasy story in “Tlön, Uqbar, Orbis Tertius”, where the fantasy world is not some far off place, but a spectre lurking in odd volumes that slowly usurps the narrator’s reality. Or his famous “The Garden of Forking Paths”, an espionage tale mixed in with a novel where all possible realities exist and intertwine. In yet another (“Three Versions of Judas”) Borges provides a scholarly article about a fictional theologian, Nils Runeberg and his controversial idea of Judas as God’s incarnation in the world, made totally man “to the point of iniquity”, his sacrifice being an eternity of infamy.

Each of these tales, with their mixing of reality and literature, the mundane and the obscure, reveals why Borges’ Collected Fictions is an assortment of perfectly formed imaginings from the master of the formless infinity of literature.

Andreas

Film Review - Outlander By Creator Ronald D. Moore

In Outlander the series follows the intriguing story of Claire Randell a combat nurse from 1945 who mysteriously ends up back in time in 1743. Being accused of spying and longing for her husband she has to quickly adapt to life in this era.

 She has a new love interest in a chivalrous and romantic young Scottish warrior. Claire's heart ends up being torn between two men in two completely different lives.
An interesting series which includes drama, romance and sci-fi. Anne

Movie Club—The Evolution of Film Noir 1: The Maltese Falcon

This month the Movie Club will be screening the film noir classic The Maltese Falcon. Based on the novel by Dashiell Hammett and directed by John Huston, the film stars Humphrey Bogart as private detective Sam Spade.

Spade and his partner Miles Archer are hired by Ruth Wonderly to find her sister who has fallen in with a bad crowd in San Francisco. On the first night Archer is murdered and it is revealed that Wonderly is not who she claimed to be and is in fact searching for a jewel encrusted falcon statuette of untold value. Through the search Spade comes across others who are also searching for the same statuette all the while trying to solve the mystery of his partner's murder.

The film is notable not only as the first lead role and defining performance of Bogart (in addition to Hughes directorial debut and Sydney Greenstreet's film debut) but is arguably the first film noir and the defining detective film. Released the same year as Citizen Kane (which also added to the techniques of the genre) the film's subject matter and characters takes on a grittier, more real world tone. It established many of the characteristics of the genre, like the hard-boiled lead, femme fatale, moral ambiguity, as well as striking visual techniques, most notably the interplay of shadows.

The Maltese Falcon will be showing on Wednesday 11 November at Narellan Library (Cnr Queen and Elyard Street, Narellan) at 6pm. Tea, coffee, and biscuits provided, but you are more than welcome to bring your own snacks and beverages.

Stay after the screening to chat about the gritty ambiguities and stylistic achievements of The Maltese Falcon has to offer. Share your thoughts or use the discussion questions to get a debate going.

Film Review—Birdman: Or (The Unexpected Virtue of Ignorance)

Riggan Thompson (Michael Keaton) once enjoyed fame as Birdman, a comic book film adaptation that garnered millions at the box office. He now wants to gain ‘respect’ and ‘legitimacy’ by writing, directing, and starring in an adaptation of Raymond Carver’s “What we talk about when we talk about love” for the Broadway stage. The production is in constant turmoil, and he enlists the help of Mike Shiner (Edward Norton), a respected stage actor, to help save the production. He has risked everything for this, and is constantly reminded that he is “not an actor”, as a prominent theatre critic states, but “a celebrity”.

Meta is at the heart of the film, from the casting of Keaton, to the interplay of the various actors and plot lines, to the realism/naturalism vs. artifice of art that unfolds within the walls of the theatre. It flirts with magic realism through Riggan’s ‘Birdman powers’, which is contrasted with the lifelike movements of the camera that moves through the cramped, gritty artifice of the stage and backstage. As well as the naturalism vs. artificiality of art, another central concern is between the showiness of Hollywood and the ‘integrity’ of Broadway. This adds to the ironic factor, the film presenting itself as a serious, Art-house style film despite its Hollywood origins. Both these strands are linked with the eye of camera, with the bulk of the film being one long, artificially pieced together take with the camera gliding through the constructed world of the stage and the backstage of the theatre, being simultaneously raw and real while entirely artificial. It contrasts the naturalism and integrity of the stage with the artifice and ostentation of Hollywood combined into one.

None of this is subtle, and the self-conscious irony that drenches the film can be fatiguing, and will (and has) put a lot of people off. But if you go past the somewhat haughty conceit of the cast and crew, Birdman provides a playful, involving, engaging, and certainly potent experience.

Andreas

Film Reviews - The Hunger Games By Director Gary Ross

The Hunger Games starring Jennifer Lawrence and Liam Hemsworth. Katniss Everdeen volunteers and takes her sisters place in the Hunger Games- which is a fight to the death televised on TV.

Set in a different time than present. Panem is the Capitol of the nation and the 12 districts supporting and surrounding the Capitol have to sacrifice a teenage boy and girl to compete in the games. Katniss must make impossible choices and use all her wits and skills to survive. An original and addictive series. Anne
Rated M- Mature themes and violence